This is SKYRACK 88, dated 15th April 1966 and published
by Ron Bennett, 52 Fairways Drive, Forest Lane, Harrogate, Yorkshire,
England. Six issues for 2/6d or 35 cents (70c airmail). Stateside
subscriptions may be sent to U.S. Representative, Buck Coulson,
Rte.3, Hartford City, Indiana 47348. Yarmouth Convention reporters
were Archie and Beryl Mercer, to whom I owe an eternal debt of gratitude.
Additional comments by Ethel Lindsay, James White and Eddie Jones.
YARCON ATTENDEES BREAK WITH B.S.F.A.
The eighth (and technically the last) annual Convention of the
British Science Fiction Association was held over the Easter weekend
at the Royal Hotel on the sea front at Great Yarmouth, Norfolk.
Atrocious weather helped to offset the effects of the rival "convention"
of mods and rockers that was being held simultaneously at the same
resort. Contrary to public opinion these non-fan visitors were not
plied with Norman Shorrock's home brew. Over 100 fans were present
during the weekend.
The programme began at 8.15pm on Friday, 8th April, with the
evening meal for those actually staying at the Royal, full board
being part of the weekend arrangement. The seating at this meal
was deliberately arranged so as to mix newcomers with older hands
and opinions expressed tend to stress the atmosphere of friendliness
which pervaded throughout the entire Con; there is little doubt
that the Friday evening dinner promoted this right from the start.
The meal was followed by a welcome Session in the Convention
hall, at which Dave Kyle briefly introduced the members of the Con
Committee and the better-known professionals present, Ron Whiting,
James White, Harry Harrison, Brian Aldiss, John Brunner, Ken Bulmer,
Ted Tubb, Tom Boardman and John Ramsey Campbell. These worthies
then conducted an auction which was followed by a party thrown by
the Bristol Group.
The Saturday morning programme opened at 10.30am with a panel
of new authors comprising: Dave Busby, John Campbell, James Colvin,
Hank Dempsey, Langdon Jones, Paddy O' Halloran, Terry Pratchett
and Keith Woodcott (I'm told that some writers, for instance Harry
Harrison, came along under a pseudonym, it's not clear which face
fits which tag at the time of writing).
Guest of Honour, Ron Whiting, gave a short but interesting talk
on the trials and tribulations of professional publishing to which
the authors in the audience alternately moaned in sympathy or groaned
in disbelief, according to the degree of their avarice. The called-for
questions proved to be so numerous that the session was continued
during the afternoon session.
It was found impractical to hold one of the star items of the
programme, the Star Debate, intended for the afternoon and accordingly
the presentation of the BSFA's new British Fantasy Award was brought
forward to 2pm. John Brunner was the deserving recipient this year,
although no specific work of his was cited. The Award, in the form
of a shield which migrates with the holding of the Award (the holder
retaining a miniature replica) was presented by Ron Whiting who
then dealt with the questions left over from the morning session.
John Brunner was then brought back to address the audience and
was as interesting and articulate as one has come to expect. His
theme concerned the trend for authors to make their readers do comparatively
"more of the work" as they read. Because of the increasing
use of symbolism in today's writings a real mental effort on the
part of the reader is required in order to grasp the communication
which the writer is trying to convey. In fact over the entire weekend
much stress was laid on the contribution of what has been termed
the "writer's writer" to the field.
At 4.15 films were shown, the first being a short documentary,
The World of Ray Bradbury, showing Bradbury lecturing, gathering
material for a book and discussing his work, the interest in which
was slightly marred by the over-loud sound track. This was followed
by the American feature film version of H.G. Wells’ The War
of the Worlds.
Another auction session closed the afternoon's proceedings, leaving
all clear for the evening's Fancy Dress Party. Out of more than
a dozen costumed entrants the prize winners were as follows:
Most Beautiful Costume: Ina Shorrock as The Constellation Andromeda.
Most Authentic Costume: Ethel Lindsay as The Princess of Zambia.
Most Original Costume: Charles Partington as The First BSFA
Manned Satellite.
The Bob Richardson Memorial Award for the Most Heroic Costume
was won by Ted Tubb in villainous space-operatic guise and Susielee
Slater won the prize for Best Child's Costume as a Wogglebug from
The Lovers.
Newly-weds Harry and Marie (nee Rothwell) Nadler were presented
with a bouquet and a pressure-cooker by the entire gathering. We
look forward to seeing the pressure cooker featured in a forthcoming
Delta film production.
By now all Convention attendees were sympathetically aware that
Ken Slater had lost his voice. Welcome, Ken, to a very exclusive
club.
THE ANNUAL MEETING OF THE B.S.F.A. was scheduled to start
at 9 am on the Sunday. This was referred to as "an unearthly
hour" but nevertheless the announcement had the desired effect
(more or less) and the A.G.M. actually got under way at 9.50. There
were two new Committee members. The contested vacancy for Vice-Chairman
saw Ken Slater gaining 30 votes to Peter Weston's 11 and Steve Oakey
took over as Publications Officer, an uncontested nomination, following
the resignation of Roger Peyton whose sterling work during the past
two years has been instrumental in producing so many fine issues
of Vector. Peter Weston was roped in to fill the newly created non-committee
post of BSFA Public Relations Officer, a somewhat thankless task
for which he has sympathies in advance. And Dave Kyle, honorary
Anglofan, was given the job of blueprinting the future administration
and organisation of the British Fantasy Award (which matter had
had to be hurried through somewhat in time for this year's Con).
PERHAPS THE MOST IMPORTANT DECISION taken at this somewhat
confused and sometimes out of hand gathering was that to divorce
officially the annual Convention from the BSFA as such. The two
will continue to co-exist - and, it is sincerely hoped, to cooperate
with each other to the full - but the annual Convention Committee
is no longer to be nominally responsible to the BSFA Committee.
Instead, a body of two permanent trustees (Dave Barber and Jill
Adams) is to preserve Convention continuity from year to year. At
one point in the general discussion it was seriously suggested that,
in addition, the BSFA should sponsor conferences at other times
during the year. Sometimes BSFA Annual General Meetings seem to
be stumbling over their own feet.
EDITORIAL COMMENT Whilst realising only too well that
charges may be levelled at me that I'm shooting off my typewriter
from a distance of some 200 miles as compared with the worthies
who were present at the Convention and who actually made the decision,
it does appear, to me, that to break away from the umbrella of the
BSFA is to jeopardise the chances of entire success of future Conventions.
It would appear that no longer will a Convention Committee be
allowed to employ the use of BSFA head notepaper. Whilst this would
appear superficially to be a minor point in the argument, I know
from experience the tremendous weight of authority carried by the
use of such paper in the approach to any hotel, speaker, publisher,
etc.
Anyone who has actually organised a convention will, I am sure,
agree with me that the main concern is the financial responsibility.
It's a constant worry whether or not the Convention will be able
to meet its obligations - and please don't come back with the suggestion
that proper planning can take care of this end. The unforeseen can
and does happen. Older fans can remember a con "being stuck"
for a sudden and unexpected £100, for example, and there are
numerous other instances of similar occurrences, though admittedly
smaller amounts have been involved each time. One reader in particular
will undoubtedly feel strongly on this point. One convention, some
ten years ago, left him some £30 out of pocket, a sum which
has never been recovered. Having myself organised a Convention which
summarily suffered a loss, I can but emphasise the relief felt at
the taking over the debt incurred by the BSFA. Can future conventions
afford to be without this "umbrella?"
Furthermore, is this rather drastic "divorce" at all
fair on Tony Walsh and the other members of his 1967 Committee,
Tony having contracted into the Convention organising at the Birmingham
Convention last year at a time when this BSFA backing was still
in existence?
One can but hope that the general membership of the Association
reconsiders its decision in the near future, perhaps in the pages
of Vector.
-- Ron Bennett
THE A.G.M. ALSO CONFIRMED that the 1967 Convention, as
had been previously agreed, is to be held in the South-West. New
information seemed to indicate that Bath, rather than Bristol, was
after all a possibility, but immediate post-convention investigation
has since proved this to be a false alarm. Whatever the ultimate
location, however, the 7/6d registration fee should be sent to Tony
Walsh, 61 Halsbury Road, Redland, Bristol 6. And in the interim
the Salford-based Alien-Delta group is to investigate the possibilities
of the Manchester area.
One ray of hope for the future to emerge from this year's A.G.M.
is that for such future occasions Phil Rogers has accepted the post
of Parliamentarian.
THE DISCUSSION DRIVE planned for the Sunday afternoon
was strictly an experiment in two-way communication, and although
it did not quite work out as planned, those attending seemed to
enjoy themselves. (Incidentally, Beryl Mercer, who originally dreamed
up the idea of the Discussion Drive, wishes to express her appreciation
of the willing and cheerful help she received from the professionals
and from others involved.) The Discussion Drive ran without a break
into the Round Robin Story, which was taped by Dave Kyle. By the
time this broke up at 5.15 some of the professionals present had
been talking happily for over three hours.
AT 9.30 promptly on Sunday evening the Grand and Noble
Order of St. Fantony took over the Convention hall in order to induct
four new Knights, namely Messrs Brian Aldiss, Dave Barber (the Convention
Chairman), Harry Harrison and Michael Rosenblum. It is understood
that there will be additional ceremonies later in the year at the
TriCon and in Vienna at which further new members will be admitted
to the Order. The St. Fantony ceremony was followed immediately
by the annual presentation of the Doctor Arthur R. Weir Memorial
Award, for services to SF fandom, this year to the Association's
new Vice President, Ken Slater. The Award was presented by last
year's winner, Terry Jeeves, who this year was happily able to be
in attendance. Eric Jones, the Grand Master of the Order of St.
Fantony, having explained the Orders origins then invited all those
present to an open St. Fantony party (where the drinks were dispensed
to relays of attendees) where Norman Shorrock presided over the
punch bowl. It remained only for Dave Barber to wind up the Convention,
expressing his pleasure at his admittance to the Order.
IT IS UNDERSTOOD that owing to the confused situation
prevailing at 4.30 am on Monday morning, James White became engaged
to Norman Shorrock. As James is unable to remove the symbolic manacle
the whole affair is under legal advisement.
THE FIRST CONVENTION of the Horror Club of Great Britain,
reports the Daily Mail, is being planned for July at Bath. Visitors
will see twenty-four films, hold an auction of horror books and
go to a fancy dress ball.
HAVERINGS 21 (Ethel Lindsay, Courage House, 6 Langley
Avenue, Surbiton, Surrey 6 issues for 2/6d or 359/) is out, with
more straight on to stencil reviews and opinions on and about the
world's fan press. Highly recommended to those about to take the
plunge into the zinescene.
SNIPPETS: Many thanks, Eddie Jones, Norman Shorrock and
others who sent cards from the YarCon and you, too, Tom Schluck,
for the card sent from the Easter gathering at Marquartstein, and
again to all who signed it. ::: Congratulations, Eddie Jones, on
breaking into the German prozine market with four covers already
sold and the promise of more work to come.
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